- Immortal Rogues
- The Tamuli
- The Keys to the Kingdom
- The Gamblers of Craven's
- Feral Warriors
- The Love Trials
- The Saving Angels
- Farseer Trilogy
- Cassandra Palmer
- The Dark Duet
- Between the Lines
- Curse Workers
- House of Obsidian
- Madelaine de Montalia
- Wild Wulfs of London
- Alpha's Heart
- Vampire Files
- Dream Guardians
- Colters' Legacy
- Wait for You
- Disrupted Magic
- Dark Hollow Wolf Pack
- Out of Uniform
- Greer Family
- Mythos Academy
- Gaming the System
- Elite Force
- Spindle Cove
- The Malloreon
- Animal Magnetism
- Macey Gardella
- Lord John Grey
- The V V Inn
- Power Players
Unlimited reading from over 1 million ebooks
ROMEO AND JULIET
by William Shakespeare
Escalus, Prince of Verona.
Paris, a young Nobleman, kinsman to the Prince.
Montague,}Heads of two Houses at variance with each other.
An Old Man, Uncle to Capulet.
Romeo, Son to Montague.
Mercutio, Kinsman to the Prince, and Friend to Romeo.
Benvolio, Nephew to Montague, and Friend to Romeo.
Tybalt, Nephew to Lady Capulet.
Friar Lawrence, a Franciscan.
Friar John, of the same Order.
Balthasar, Servant to Romeo.
Sampson, Servant to Capulet.
Gregory, Servant to Capulet.
Peter, Servant to Juliet's Nurse.
Abraham, Servant to Montague.
Page to Paris; another Page.
Lady Montague, Wife to Montague.
Lady Capulet, Wife to Capulet.
Juliet, Daughter to Capulet.
Nurse to Juliet.
Citizens of Verona; several Men and Women, relations to both
houses; Maskers, Guards, Watchmen, and Attendants.
SCENE.--During the greater part of the Play in Verona; once, in
the Fifth Act, at Mantua.
Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-cross'd lovers take their life;
Whose misadventur'd piteous overthrows
Doth with their death bury their parents' strife.
The fearful passage of their death-mark'd love,
And the continuance of their parents' rage,
Which but their children's end naught could remove,
Is now the two hours' traffic of our stage;
The which, if you with patient ears attend,
What here shall miss, our toil shall strive to mend.
Scene I. A public place.
[Enter Sampson and Gregory armed with swords and bucklers.]
Gregory, o' my word, we'll not carry coals.
No, for then we should be colliers.
I mean, an we be in choler we'll draw.
Ay, while you live, draw your neck out o' the collar.
I strike quickly, being moved.
But thou art not quickly moved to strike.
A dog of the house of Montague moves me.
To move is to stir; and to be valiant is to stand:
therefore, if thou art moved, thou runn'st away.
A dog of that house shall move me to stand:
I will take the wall of any man or maid of Montague's.
That shows thee a weak slave; for the weakest goes to the
True; and therefore women, being the weaker vessels,
are ever thrust to the wall: therefore I will push Montague's men
from the wall and thrust his maids to the wall.
The quarrel is between our masters and us their men.
'Tis all one, I will show myself a tyrant:
when I have fought with the men I will be cruel with the maids,
I will cut off their heads.
The heads of the maids?
Ay, the heads of the maids, or their maidenheads;
take it in what sense thou wilt.
They must take it in sense that feel it.
Me they shall feel while I am able to stand:
and 'tis known I am a pretty piece of flesh.
'Tis well thou art not fish; if thou hadst,
thou hadst been poor-John.--Draw thy tool;
Here comes two of the house of Montagues.
My naked weapon is out: quarrel! I will back thee.
How! turn thy back and run?
Fear me not.
No, marry; I fear thee!
Let us take the law of our sides; let them begin.
I will frown as I pass by; and let them take it as they
Nay, as they dare. I will bite my thumb at them; which is
disgrace to them if they bear it.
[Enter Abraham and Balthasar.]
Do you bite your thumb at us, sir?
I do bite my thumb, sir.
Do you bite your thumb at us, sir?
Is the law of our side if I say ay?
No, sir, I do not bite my thumb at you, sir; but I bite my
Do you quarrel, sir?
Quarrel, sir! no, sir.
But if you do, sir, am for you: I serve as good a man as
Say better; here comes one of my master's kinsmen.
Yes, better, sir.
Draw, if you be men.--Gregory, remember thy swashing blow.
Part, fools! put up your swords; you know not what you do.
[Beats down their swords.]
What, art thou drawn among these heartless hinds?
Turn thee Benvolio, look upon thy death.
I do but keep the peace: put up thy sword,
Or manage it to part these men with me.
What, drawn, and talk of peace! I hate the word
As I hate hell, all Montagues, and thee:
Have at thee, coward!
[Enter several of both Houses, who join the fray; then enter
Citizens with clubs.]
Clubs, bills, and partisans! strike! beat them down!
Down with the Capulets! Down with the Montagues!
[Enter Capulet in his gown, and Lady Capulet.]
What noise is this?--Give me my long sword, ho!
A crutch, a crutch!--Why call you for a sword?
My sword, I say!--Old Montague is come,
And flourishes his blade in spite of me.
[Enter Montague and his Lady Montague.]
Thou villain Capulet!-- Hold me not, let me go.
Thou shalt not stir one foot to seek a foe.
[Enter Prince, with Attendants.]
Rebellious subjects, enemies to peace,
Profaners of this neighbour-stained steel,--
Will they not hear?--What, ho! you men, you beasts,
That quench the fire of your pernicious rage
With purple fountains issuing from your veins,--
On pain of torture, from those bloody hands
Throw your mistemper'd weapons to the ground
And hear the sentence of your moved prince.--
Three civil brawls, bred of an airy word,
By thee, old Capulet, and Montague,
Have thrice disturb'd the quiet of our streets;
And made Verona's ancient citizens
Cast by their grave beseeming ornaments,
To wield old partisans, in hands as old,
Canker'd with peace, to part your canker'd hate:
If ever you disturb our streets again,
Your lives shall pay the forfeit of the peace.
For this time, all the rest depart away:--
You, Capulet, shall go along with me;--
And, Montague, come you this afternoon,
To know our farther pleasure in this case,
To old Free-town, our common judgment-place.--
Once more, on pain of death, all men depart.
[Exeunt Prince and Attendants; Capulet, Lady Capulet, Tybalt,
Citizens, and Servants.]
Who set this ancient quarrel new abroach?--
Speak, nephew, were you by when it began?
Here were the servants of your adversary
And yours, close fighting ere I did approach:
I drew to part them: in the instant came
The fiery Tybalt, with his sword prepar'd;
Which, as he breath'd defiance to my ears,
He swung about his head, and cut the winds,
Who, nothing hurt withal, hiss'd him in scorn:
While we were interchanging thrusts and blows,
Came more and more, and fought on part and part,
Till the prince came, who parted either part.
O, where is Romeo?--saw you him to-day?--
Right glad I am he was not at this fray.
Madam, an hour before the worshipp'd sun
Peer'd forth the golden window of the east,
A troubled mind drave me to walk abroad;
Where,--underneath the grove of sycamore
That westward rooteth from the city's side,--
So early walking did I see your son:
Towards him I made; but he was ware of me,
And stole into the covert of the wood:
I, measuring his affections by my own,--
That most are busied when they're most alone,--
Pursu'd my humour, not pursuing his,
And gladly shunn'd who gladly fled from me.
Many a morning hath he there been seen,
With tears augmenting the fresh morning's dew,
Adding to clouds more clouds with his deep sighs:
But all so soon as the all-cheering sun
Should in the farthest east begin to draw
The shady curtains from Aurora's bed,
Away from light steals home my heavy son,
And private in his chamber pens himself;
Shuts up his windows, locks fair daylight out
And makes himself an artificial night:
Black and portentous must this humour prove,
Unless good counsel may the cause remove.
My noble uncle, do you know the cause?
I neither know it nor can learn of him.
Have you importun'd him by any means?
Both by myself and many other friends;
But he, his own affections' counsellor,
Is to himself,--I will not say how true,--
But to himself so secret and so close,
So far from sounding and discovery,
As is the bud bit with an envious worm
Ere he can spread his sweet leaves to the air,
Or dedicate his beauty to the sun.
Could we but learn from whence his sorrows grow,
We would as willingly give cure as know.
See, where he comes: so please you step aside;
I'll know his grievance or be much denied.
I would thou wert so happy by thy stay
To hear true shrift.--Come, madam, let's away,
[Exeunt Montague and Lady.]
Good morrow, cousin.
Is the day so young?
But new struck nine.
Ay me! sad hours seem long.
Was that my father that went hence so fast?
It was.--What sadness lengthens Romeo's hours?
Not having that which, having, makes them short.
Out of her favour where I am in love.
Alas, that love, so gentle in his view,
Should be so tyrannous and rough in proof!
Alas that love, whose view is muffled still,
Should, without eyes, see pathways to his will!--
Where shall we dine?--O me!--What fray was here?
Yet tell me not, for I have heard it all.
Unlimited reading from over 1 million ebooks
- Terry Pratchett
- Darren Shan
- Samantha Young
- Gav Thorpe
- Pamela Palmer
- Gene Wolfe
- F. Paul Wilson
- Amanda Maxlyn
- Jodi Ellen Malpas
- Jill Shalvis
- Susan Hill
- Sherrilyn Kenyon
- Megan Shepherd
- Colleen Gleason
- Kylie Scott
- Courtney Summers
- Elizabeth Kostova
- Yanna Lee
- Tobias S. Buckell
- Jennifer Estep
- Georgia Cates
- Emma Chase
- J.C. Reed
- C.J. Ellisson
- Brent Weeks
- Kendare Blake
- Sam Sykes
- Meg Cabot
- Nicole Peeler
- Philip Athans
- Lauren Kate
- S.D. Perry
- Max Brooks
- Fritz Leiber
- MaryJanice Davidson
- James S.A. Corey
- R.K. Lilley
- Molly McAdams
- Robert McCammon
- Katja Millay